1. smartgirlsattheparty:

whocutsyourjib:

Working on a coloring book

Amy P. and Beyonce by Smart Girl Miden :)

    smartgirlsattheparty:

    whocutsyourjib:

    Working on a coloring book

    Amy P. and Beyonce by Smart Girl Miden :)

    Reblogged from: smartgirlsattheparty
  2. 
We are Groot.

    We are Groot.

    Reblogged from: marykatewiles
  3. nanlawson:

Oh, there you are, Peter.

    nanlawson:

    Oh, there you are, Peter.

    Reblogged from: nanlawson
  4. zenpencils:

    AMY POEHLER: Great people do things before they’re ready

    Reblogged from: zenpencils
  5. How not to talk about the politics of culture - The Washington Post

  6. gemmacorrell:

(via Four Eyes Comic Strip, August 04, 2014 on GoComics.com)
    Reblogged from: gemmacorrell
  7. megpark:

Bird girls, inspired by Moonrise Kingdom

    megpark:

    Bird girls, inspired by Moonrise Kingdom

    Reblogged from: gretchenalice
  8. judithchamizo:

This is 100% true, I promise.

    judithchamizo:

    This is 100% true, I promise.

    Reblogged from: judithchamizo
  9. sarapocock:

It’s Dotty from Pee-wee’s Big Adventure!  Come see this piece and others this weekend at Paging Mr. Herman: A Pee-Wee Herman Art Retrospective.

Digital prints available for $15—email me if interested.

    sarapocock:

    It’s Dotty from Pee-wee’s Big Adventure!  Come see this piece and others this weekend at Paging Mr. Herman: A Pee-Wee Herman Art Retrospective.

    Digital prints available for $15—email me if interested.

    Reblogged from: sarapocock
  10. elevator-loveletter:

featureshoot:

Bryan Schutmaat

This photo brings to mind this Leighton painting I’ve seen at the Kimbell.  Perhaps it’s the rural setting, the composition of the shot, and the female’s direct gaze at the viewer. I’ll post the Leighton painting separately so you can compare.

    elevator-loveletter:

    featureshoot:

    Bryan Schutmaat

    This photo brings to mind this Leighton painting I’ve seen at the Kimbell.  Perhaps it’s the rural setting, the composition of the shot, and the female’s direct gaze at the viewer. I’ll post the Leighton painting separately so you can compare.

    Reblogged from: elevator-loveletter
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